Incubator Lab: The making, magnified.

New Green

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Choreographer

Bethany Green

Bethany Green’s choreographic voice has a bright pulse and a wink, grounded in classical clarity but unafraid of play. She’s drawn to storytelling that moves fast, lands clean, and doesn’t take itself too seriously, the kind of work that can pivot from heartfelt to mischievous in a single phrase. Her “bluegrass sneaker ballet” Devil Get Behind Me (with TRBP’s first live-musician collaboration) captures that signature mix: musical, character-forward, and joyfully off the expected path.

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New Rader

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Choreographer

Natasha Rader

Natasha Rader’s choreography reads like an interior landscape: movement that visualizes thought, feeling, and the tug-of-war inside the self. In her previous work Thoughtscape, she frames dance as a “look into the mind,” turning emotional states into physical images, including a duet that observes different parts of oneself and the tension between resisting and accepting what we carry. Her voice leans intimate and psychologically charged, the kind of work that invites the audience to recognize themselves in the shifting weather of the body.

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New Schooling

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Choreographer

Alex Schooling

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Alexandra Schooling makes dance that feels reciprocal: movement as a way to disrupt perception, build connection, and imagine beyond the present. Her style often traces the curves and cyclical rhythms of the natural world, then threads in human idiosyncrasies, humor, awkwardness, whimsy, so the work stays grounded even as it opens into bigger questions. Music sits at the center of her process; she maps a score’s shifts and uses it like a blueprint, creating choreography that breathes with the arc of the sound. The result is emotionally layered and tonally rich, work that can hold tenderness and resilience in the same frame.